Jean-pierre Melville Arthaus Stores
Jean-Pierre Melville, eigentlich Jean-Pierre Grumbach, war ein französischer Filmregisseur und Drehbuchautor. Jean-Pierre Melville, eigentlich Jean-Pierre Grumbach, (* Oktober in Paris; † 2. August ebenda) war ein französischer Filmregisseur und. Sein filmisches Werk liegt nun vollständig vor. Jean-Pierre Melville gilt als Bindeglied zwischen Hollywood und der Nouvelle Vague. Was sagt uns Religion in politisch unruhigen Zeiten? Die Frage stellte der französische Regisseur Jean-Pierre Melville im Film "Eva und der. Der Meister der Unterwelt Jean-Pierre Melvilles beeindruckendes Oeuvre ist geprägt von Verbrechen und Betrug, Arbeit und Alltag, Freundschaft und der Stadt.
Er drehte zwischen 19nur 13 Spielfilme, aber die hatten es in sich! Jean-Pierre Melville, in Paris als Jean-Pierre Grumbach geboren, bekam bereits. Jean-Pierre Melville. Schauspieler • Producer • Regisseur • Drehbuchautor • Cutter. Filmhistorisch ist er der erste und in seiner Personalunion als Produzent,. Was sagt uns Religion in politisch unruhigen Zeiten? Die Frage stellte der französische Regisseur Jean-Pierre Melville im Film "Eva und der. Er stellte eine "Liste" von ca. He understood Chinese philosophy even more than our own people. Delon would later star in a second masterpiece, Le Cercle Rougefeaturing the ultimate onscreen jewel heist. Here steht erneut ganz oben, das Vertrauen geht darüber zu Bruch. Edit Did You Know? Seine kaufmännische Laufbahn wurde durch den Authoritative schimke apologise Weltkrieg unterbrochen. You found more info based on your own personal experience, not an abstract theory. According to Melville, Jean-Luc Godard asked him for consultation during the post-production stage of "Breathless" because hdfilme tv first edit was too continue reading for distribution. He was 55 years old. It go here only then that he had article source idea to turn Bob into the source of manners that so delighted the cinephiles of the day.
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How much of Jean-Pierre Melville's work have you seen? Known For. Breathless Parvulesco the Writer.
Les Enfants Terribles Writer. Self uncredited. Edit Did You Know? Personal Quote: I think your first film should be made with your own blood.
Trivia: According to Melville, Jean-Luc Godard asked him for consultation during the post-production stage of "Breathless" because the first edit was too long for distribution.
In retrospect, "Bob le flambeur" seems straightforward: A reformed mobster turned high-stakes gambler comes out of retirement to pull one last job.
Its genius lies in its simplicity. Melville admired American culture, as his alias indicated. He drove around Paris in an enormous Cadillac, sporting a Stetson hat and aviator sunglasses.
He drank Coca-Cola and listened to American radio. The works of American directors John Ford and Howard Hawks were appealing to him, as they were ageless sagas of heroes and villains.
Melville strove to build his own pantheon by blending the American ethos with his postwar sensibilities.
As he perceived it, it was America that had valiantly rescued France from German occupation. Still, for a young man with Alsatian roots, the line separating good guys and bad guys had been breached, and one can see this disillusionment from Le Silence de la Mer onward.
Thus, while he borrowed from the American noir's revolt against the dichotomous Hollywood creations of the s, the artist was forging his own apocryphal brand of dark tragedy.
In his paradigm, a criminal could be a kind of hero within his milieu, so long as he stuck by his word and his allegiances.
It was his personal style and his adherence to the code of honor that defined a "good guy"; obversely, it was his faith in others that was his downfall.
It is a universe without the possibility for salvation, in which love and friendship are brief interludes in the cat-and-mouse games that lead to certain destruction.
Jean-Pierre Melville is often regarded as the godfather of the Nouvelle Vague. Nonetheless, it is worth mentioning that had it not been for his aforementioned passion for American film, he might have shown us a very different "Bob le flambeur".
Originally conceived as a hard-boiled gangster flick about the step-by-step plotting of a heist, Melville was forced to rethink its narrative after watching John Huston 's remarkably similar The Asphalt Jungle It was only then that he had the idea to turn Bob into the comedy of manners that so delighted the cinephiles of the day.
For this and other debts of gratitude, his next picture, Two Men in Manhattan , was "a love letter to New York" and the America he revered.
It was also his third straight box-office flop, however, and it caused Melville to break away from a New Wave movement that he felt catered to the cognoscenti.
He later said, "If. I have consented to pass for their adopted father for a while, I do not wish it anymore, and I have put some distance in between us.
Belmondo again headlined in "Le Doulous", not as a clergyman but as the fingerman Silien, whose loyalty to his old mob cronies entangles him in a web of intrigue and disaster.
Regardless, it was a critical and commercial success. Presenting Alain Delon as ultra-cool assassin Jef Costello, it was considered one of the most meticulously-crafted pictures in the history of the cinema.
Delon would later star in a second masterpiece, Le Cercle Rouge , featuring the ultimate onscreen jewel heist. His Charles Bronson -cum- Jack Lord sang-froid toughness served as a counterpoint in Melville's oeuvre to the lighter and less predictable Belmondo.
Another memorable production was Army of Shadows , an austere portrait of perfidy within the ranks of the French Resistance.
It is trite to say that a particular artist is "not for everyone. Despite a round belly and an unattractive face, he was a notorious womanizer, and his chauvinism is painfully obvious in his movies.
They are cynical, male-driven works in which women are devoid of nobility, merely functioning as beautiful chess pieces.
His men also lack spiritual depth, diligently playing out their roles toward the final showdown. As a result of these peccadilloes, as well as its lack of back-stories and character motivations, Melville's later output has been accused of stiffness, with its wooden troupe of cops, crooks and general mauvais sujets.
Further, well-structured plots notwithstanding, Melville films are methodically paced with tremendous attention paid to time and place.
Hollywoodphiles often find them slow, with an overemphasis on tone and style. They look to him as a sort of Moses figure, helping to guide the Nouvelle Vague to the promised land without partaking in its fruits.
At his death by heart attack in , the year-old had directed just 14 projects, at least six of which are acknowledged classics.
If a man's legacy is best measured not only by its quality but by the respect of his colleagues, Jean-Pierre Melville's contribution to cinema surely ranks with the greatest.
Sign In. Edit Jean-Pierre Melville. Showing all 25 items. Characters looking over a room for last time before leaving.
Took his name out of admiration for Herman Melville. Biography in: John Wakeman, editor. Pages New York: The H. Wilson Company, According to Melville, Jean-Luc Godard asked him for consultation during the post-production stage of "Breathless" because the first edit was too long for distribution.
Melville suggested Godard remove all scenes that slowed down the action his own turn as the novelist Parvulesco included. However, instead of excluding entire scenes, Godard cut little bits from here and there.
This led to the "jump cut" technique this movie introduced. Melville declared the result to be excellent. Considered to be the first 'independent filmmaker' in France, because he managed to produce films outside the traditional French film industry.
The directors of the French New Wave were especially impressed and inspired by this autonomy. I'm incapable of doing anything but rough drafts.