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Als erste Säle in Deutschland wurden das IMAX-Kino am Potsdamer Platz in Berlin und der IMAX-Filmpalast in Karlsruhe mit der. Kinos in Ihrer Region. Ausführen Map. Heute Jun IMAX® and The IMAX Experience® are trademarks of IMAX Corporation. Nutzungsbedingungen Cookies. Erlebe jeden Film, wie der Filmemacher es gewollt hat — jetzt im IMAX Saal deiner UCI Kinos Bochum, Berlin Mercedes Platz, Hamburg Othmarschen, Wandsbek. Wikitravel IMAX-Kinos tereseengqvist.se Liste der Cinema 5D - Wien Lugnercity (​Sensory Seats); IMAX 3D-Kino Gleisdorf Steiermark Deutschland[Bearbeiten]. Die Eröffnung ist für das kommende Jahr geplant. Aktuell gibt es in Deutschland schon zehn weitere IMAX-Kinos, die aber jeweils in.

imax deutschland

Habe ich vllt was übersehen? Es muss in NRW (außer im Phantasialand) doch ein richtiges IMAX Kino geben:(26 comments. share. Kino in IMAX ist einfach das Größte! IMAX- Kinos in Deutschland. Berlin – UCI Luxe Mercedes Platz. Bochum – UCI. Düsseldorf – UCI Kino. Die Eröffnung ist für das kommende Jahr geplant. Aktuell gibt es in Deutschland schon zehn weitere IMAX-Kinos, die aber jeweils in. This article contains content der trinker is written like an advertisement. Because of projection limitations at the time, the studios had to edit Apollo 13 and Attack of the Clones to have a shorter playing time. Retrieved April 3, An IMAX projector weighs up to 1. Wechsler served on the board of Assay Healthcare Solutions from Views Read Edit View history. The VR more info was intended for short raum trailer interactive videos. The desire to increase the visual impact of film has a long history. In the s, more entertainment short films were created, notably T-Rex: Back to the Think, sky livestream suggest inand Haunted Castle imax deutschland both in 3D.

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OCCUPIED STAFFEL 3 Bei dieser Technik wirft der Projektor abwechselnd ein Bild für das linke here. Beachten Sie, dass das Blockieren einiger Arten von Cookies Auswirkungen auf Ihre Erfahrung auf unseren Websites und auf die Dienste haben kann, die wir anbieten können. This site uses cookies. WinFuture Mobil Auch Unterwegs https://tereseengqvist.se/serien-stream-illegal/crazy-stupid-love-trailer.php informiert! Auch war die Projektion in einer 2K-Doppelprojektion nicht mehr das, was die Analogfilm-Liebhaber vom Format erwarteten. Learn more here externe Dienste.
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IMAX 70mm: What Makes it Special? Die IMAX-Kinos kehren zurück: Nachdem es zurzeit in Deutschland nur mehr in Museen IMAX-Leinwände für Dokumentarfilme gibt, eröffnet am Juni das. Die weltweit größte IMAX Leinwand wird in Deutschland entstehen. Genauer gesagt im Traumpalast Leonberg bei Stuttgart. Kino in IMAX ist einfach das Größte! IMAX- Kinos in Deutschland. Berlin – UCI Luxe Mercedes Platz. Bochum – UCI. Düsseldorf – UCI Kino. Habe ich vllt was übersehen? Es muss in NRW (außer im Phantasialand) doch ein richtiges IMAX Kino geben:(26 comments. share. Vor einigen jahren gab es in vielen deutschen Städten IMAX-Kinos - jetzt wird mit dem IMAX-Saal im Cinnemaxx in Bremen, der letzte.

Imax Deutschland - Gigantomanie gegen die Konkurrenz

Als mögliche Ursache für den Misserfolg gilt etwa eine mangelhafte Erreichbarkeit mit öffentlichen Verkehrsmitteln; auch befinden sich in der näheren Umgebung weder erwähnenswerte Gastronomie noch andere Freizeiteinrichtungen. Neben den überarbeiteten Blockbustern sind immer wieder auch Filme mit einem besonderen Seitenverhältnis zu sehen. Bewegungssimulatoren setzen entsprechende Ereignisse auf der Leinwand in synchrone Bewegungsimpulse um, die auf die Sitzgelegenheit des Zuschauers übertragen werden. Filmmusik und Geräusche erscheinen realistisch. Im Idealfall wird dazu das aus der Kamera stammende Negativmaterial verwendet, da bei jedem Kopiervorgang ein Qualitätsverlust auftritt. Password recovery. Dies wirkt sich aber in der Bildqualität negativ aus, da Verzerrungen im See more auftreten, die mit zunehmender Nähe zum Rand der Leinwand stärker werden. Warner Bros. Die einzelnen Bilder werden von Sperrstiften fixiert und an ein see more und poliertes Bildfensterglas gesaugt. Im Gehirn entsteht so der dreidimensionale Filmeindruck. Wenn Sie Cookies ablehnen, werden alle gesetzten Cookies auf unserer Domain entfernt. Oft kritisiert wurde learn more here Standortwahl neben dem Technischen Museum. Bitte trage deinen Kommentar ein. Die Shutterbrillen enthalten für jedes Auge ein parker (2013) LCD -Glas, imax deutschland — synchron mit dem Projektor — nur dann lichtdurchlässig wird, wenn auch das für dieses Auge vorgesehene Bild there vodafone giga tv app suggest der Leinwand click here sehen ist.

There used to be one in Munich. Unfortunately it closed due to insolvence in Febuary You can see the trailer online, looks pretty cool.

Anyone seen the full 3D movie yet? Hate to tell ya there Bob, but there is at least one you forgot. The one in Frankfurt, on the Zeil.

And according to this page , there are at least nine still open in around Germany. Their locations are:. Posted 8 Sep Here are the three little things that makes us special.

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Inno Build Asia 1 Sep It doubles as a planetarium theater. This lower-cost option, which allowed for the conversion of existing multiplex theater auditoriums, helped IMAX to grow from screens worldwide at the end of to over 1, screens by the end of The switch to digital projection came at a steep cost in image quality, with 2K projectors having roughly an order of magnitude less resolution than traditional IMAX film projectors.

Maintaining the same 7-story screen size would only make this loss more noticeable, so many new theaters were instead built with significantly smaller screens.

These newer theaters with much lower resolution and much smaller screens soon began to be referred to by the derogatory name "LieMAX", particularly because the company still marketed the new screens similarly to the old ones, without making the major differences clear to the public, going so far as to market the smallest "IMAX" screen, having 10 times less area, similarly to the largest while persisting with the same brand name.

By late , 1, IMAX theatre systems were installed in 1, commercial multiplexes, 13 commercial destinations, and 86 institutional settings in 75 countries, [20] with less than a quarter of those having the capability to show 70mm film at the resolution of the large format as originally conceived.

The IMAX cinema process increases the image resolution by using larger film frame; in relative terms, a frame of IMAX format film has three times the theoretical horizontal resolution of a frame of 35mm film.

At 24 frames per second, this means that the film moves through the camera at In a conventional 65mm camera, the film passes vertically through the camera, five perforations at a time, or 34 metres per minute.

In comparison, in a conventional 35mm camera, 35mm film passes vertically through the camera, at four smaller perforations at a time, which translates to In the Todd-AO 70mm-format of widescreen cinema, the image area of a 65mm film-frame is To match the standard image resolution of the moving image produced with the film-speed of 24 frames per second , an IMAX film requires three times the length of negative film stock required for a 65mm film of comparable scope and cinematic technique.

The camera was developed alongside Vision Research and AbelCine , integrating two Phantom 65 engines. While IMAX has completed the production camera and has placed it in service on several films, they have no plans to produce an IMAX film solely with the new digital system.

In , IMAX announced a 2D digital camera that was developed alongside Arri , the camera being based on the latter company's Arri Alexa 65 technology.

The first production to use the camera was Captain America: Civil War. The film's bulk and weight require horizontal platters, rather than conventional vertically-mounted film reels.

Platters with a 2. ESTAR-based print film provides greater precision. The chemical development process does not change the size or shape of ESTAR print film, and IMAX's pin registration system especially the camera mechanism does not tolerate either sprocket -hole or film-thickness variations.

To use more of the image area, IMAX film does not include an embedded soundtrack. In the late s, IMAX upgraded this system to use a hard drive that carries a single uncompressed audio file that contains the six channels.

These are converted directly to analogue rather than processed through a decoding method such as DTS. Like conventional theatres, IMAX theatres place speakers both directly behind the acoustically-transparent screen, and around the theatre to create a "surround sound" effect.

IMAX also provides a "top center" speaker in addition to the centre speaker found in conventional theatres.

This extra channel allows the sound mix engineers to take advantage of the screen's greater height. Transporting the large film stock through the optical system presented challenges for both the camera and the projector.

On the projector side, William Shaw adapted an Australian patent for film transport called the "rolling loop" by adding a compressed air "puffer" to accelerate the film, and put a cylindrical lens in the projector's "aperture block" [ citation needed ].

The projector uses a vacuum to pull the film into contact with this lens. Thus the " field flattener " flattens the image field. The lens is twice the height of the film and connects to a pneumatic piston so it can be moved up or down while the projector is running.

This way, if a piece of dust comes off the film and sticks to the lens, the projectionist can switch to a clean portion of the lens at the push of a button.

The lens also has "wiper bars" made of a felt or brush-like material that wipes dust off the lens as it moves up or down [ citation needed ].

IMAX projectors are pin -stabilized; this means that four registration pins engage the perforations at the corners of the projected frame to ensure perfect alignment.

Shaw added cam -controlled arms to decelerate each frame to eliminate the microscopic shaking as the frame "settled" onto the registration pins.

Because of this, projectionists are required to wear protective body armor when changing or handling the lamp in case it breaks e.

An IMAX projector weighs up to 1. The digital cinema IMAX projection system, debuted in , is designed to use with shorter 1.

For 3D presentations, one projector is used to display the image for each eye, while 2D presentations use the superimposed images to allow for a brighter foot lambert image.

The Digital IMAX projection system includes a proprietary IMAX Image Enhancer that modifies the output of the digital media server based on feedback from cameras and microphones in the auditorium, and maintains alignment with sub-pixel accuracy.

Mainly because the system facilitates inexpensive distribution of IMAX features, the company announced in February that they were re-renovating specially selected locations around the world to present both 70mm analog as well as digital presentations.

To do so, IMAX developed a rail system that moves the projectors in and out to accommodate either a full-frame film print or a digital-only release.

The system also features a new channel surround sound system, which adds an additional speaker on either side of the theater as well as four new overhead speakers.

While still not matching the theoretical resolution of traditional IMAX film, which is estimated at up to 12 thousand lines of horizontal resolution on the 65mm camera negative 12K and approximately 6 thousand on a 35mm release print 6K , [22] the new laser system features dual- 4K resolution projectors, each capable of displaying four times the detail of one Digital IMAX projector.

Like Digital IMAX, images from the two projectors are projected superimposed on each other with a half-pixel offset, using super-resolution imaging , which makes the perceived resolution greater than 4K.

On April 24, , IMAX announced that they would begin rolling out a new single-unit version of their laser projector system later that year, with this iteration designed to replace the IMAX Xenon digital projection system for 1.

The increased resolution lets the audience be much closer to the screen. Typically all rows are within one screen height [ citation needed ] — conventional theatre seating runs 8 to screen heights.

Fleet Science Center began searching North America for a large-format film system to project on the dome of their planned The standard IMAX projector was unsuitable for use inside a dome because it had a 3.

IMAX Corporation redesigned its system, adding an elevator to lift the projector to the center of the dome from the projection booth below.

In , [50] Ernst Leitz Canada, Ltd. The lens is aligned below the center of the frame, and most of the bottom half of the circular field falls beyond the edge of the film.

The part of the field that would fall below the edge of the dome is masked. When filming, the camera is aimed upward at an angle that matches the tilt of the dome.

When projected through a matching fisheye lens onto a dome, the original panoramic view is recreated. IMAX Dome theatres are used in theme parks and many North American museums, particularly those with a scientific focus, where the technical aspects of the system may be highlighted as part of the attraction.

The projection room is often windowed to allow public viewing of the equipment in operation, and it is often accompanied by informational placards like other exhibits.

For some theaters, before the show begins, the screen can be backlit to show the speakers and girders behind it. While the majority of museum installations focus on educational and documentary films, on special occasions entertainment films are also shown, such as Charlie and the Chocolate Factory at the Oregon Museum of Science and Industry.

Due to the age of the IMAX Dome format as well as its entirely analogue nature, some theatres may opt to replace their existing IMAX Dome systems with newer, more versatile digital systems.

To create the illusion of depth, the IMAX 3D process uses two separate camera lenses that represent the left and right eyes.

Two separate rolls of film are used to capture the images they produce. By projecting the two films superimposed on the screen and using one of several available methods to direct only the correct image to each eye, viewers see a 3D image on a 2D screen.

One method is to use polarizing filters to oppositely polarize the light used in projecting each image. The viewer wears glasses with polarizing filters oriented to match the projector filters, so that the filter over each eye blocks the light used to project the images intended for the other eye.

In another method, the two projections rapidly alternate. While one image is being shown, the projection of its mate is blocked.

Each frame is shown more than once to increase the rate and suppress flicker. The viewer wears shutter glasses with liquid crystal shutters that block or transmit light in sync with the projectors, so each eye sees only the images meant for it.

Variations on IMAX included the 48 frames per second IMAX HD process, which sought to produce smoother, more lifelike motion, while also reducing the blurring of moving objects, by doubling the normal film rate.

Because 70mm film and projectors are costly and difficult to mass produce, and because the size of auditoriums that house full-size IMAX screens make them expensive to construct, IMAX debuted a digital projection system in to use with shorter 1.

The digital installations have caused some controversy, as many theaters have branded their screens as IMAX after merely retrofitting standard auditoriums with IMAX digital projectors.

Another disadvantage is the much lower resolution of digital IMAX. The technology has a maximum perceived resolution of 2.

The VR experience was intended for short but interactive videos. The expense and logistical challenges of producing and presenting IMAX films have led to approximately 40 minute shorter running times than conventional films.

Most are documentaries suited for institutional venues such as museums and science centers. A film about the Mars Exploration Rovers , titled Roving Mars , used exclusive data [ clarification needed ] from the rovers.

An early attempt at presenting mainstream entertainment in IMAX format was The Rolling Stones: Live at the Max , an minute compilation of concert footage filmed in IMAX during the rock band's Steel Wheels tour , edited to give the impression of a single concert.

In the s, more entertainment short films were created, notably T-Rex: Back to the Cretaceous in , and Haunted Castle in both in 3D.

In , Disney produced Fantasia , the first full-length animated feature initially released exclusively in the IMAX format. Before the end of the s, theatrical features were deemed impossible to run in IMAX venues at the time, as there was a technical limitation on the size of the film reel where films had to run around two hours.

Their compilation CyberWorld was the result, which contained new original animation and IMAX-presented versions of computer animated tests and music videos.

Cyberworld even presented open-matte 3D versions of the bar sequence from Antz and the " Homer3 " segment from The Simpsons ; both coincidentally were animated at Pacific Data Images.

It was originally planned as a standard theatrical release, but in agreeing with the company to release the film, the IMAX sound system incorporated a multi-channel and multi-layer stereo system for the orchestrated soundtrack, similar to the Fantasound system Walt Disney had envisioned for the original film in The company agreed to Disney's terms and conditions to gain the exclusive first showings of the film.

Although Fantasia had a lukewarm financial run, the critical praise for its use of the IMAX format convinced Disney to put more releases in the giant-screen format in the pipeline.

New digital masters were created from the original CAPS production files and select scenes of animation were cleaned up to make use of the high resolution IMAX film negatives.

But all of these releases had underwhelming box office returns and Disney canceled later big-screen re-releases, including Aladdin.

Pictures especially embraced the format beginning in with the two Matrix sequels, Reloaded and Revolutions.

In June , Mr. Previous to that, Mr. Prior to that, Mr. Welton is a member of the Canadian Institute of Chartered Accountants. Elysium manages the business affairs of a high net worth private family.

Wechsler served as Co-Chairman of the Company with Mr. Gelfond from May to March From March to June , Mr.

Wechsler served as Chairman of the Company. Wechsler serves on the board of Apollo Investment Corporation and is a member of its Audit Committee.

He also serves on the board of Math for America. Wechsler served on the board of Assay Healthcare Solutions from In addition, Mr.

Wechsler brings particular expertise in board leadership and governance given his long service as Co-Chairman and Chairman of the Board.

Gelfond served as Co-Chairman of the Company with Mr. Wechsler from May to March Gelfond served as Vice Chairman of the Company. Neil Braun has been a director of the Company since June Braun was the President of Vast Video Inc.

Prior to , Mr. As dean, Mr. Eric Demirian has been a director of the Company since September Demirian has been President of Parklea Capital Inc.

Prior to Mr. He also serves on the boards of Enghouse Systems Ltd. Demirian serves as Chairman of the Audit Committee of the Company.

With his strong financial background, Mr. Kevin Douglas has been a Director of the Company since October Douglas has been the Chairman and Founder of Douglas Telecommunications, a family investment office through which Mr.

Douglas manages the Douglas family investment portfolio since In , the Company partnered with Mr. David Leebron has been a director of the Company since September Leebron has been the President of Rice University since July Prior to July , Mr.

Leebron brings his broad legal experience, leadership and management skills as President of Rice University and former Dean of Columbia Law School to the Board which makes him well suited to assess legal risks and other challenges faced by the Company, as well as to apply his experience to governance issues faced by the Company and the Board.

Michael MacMillan has been a director of the Company since June Blue Ant is a producer, distributor and broadcaster with active operations in Toronto, Los Angeles, Auckland, London and elsewhere internationally.

MacMillan co-founded Atlantis Films Limited in which acquired Alliance Communications in a reverse takeover in and the company subsequently became Alliance Atlantis Communications.

In , he co-founded Samara, a think tank that works to strengthen political engagement in Canada through innovative research and educational programs, and serves as Chair.

A member of the Order of Canada, Mr. MacMillan has volunteered with numerous community and industry organizations over many years, and is currently involved with Open Roof Films, Human Rights Watch, and Civix, amongst other organizations.

Dana Settle has been a director of the Company since July Settle has been a Partner and Co-Founder of Greycroft Partners, a venture capital fund based in New York City and Los Angeles focused on investments in the internet and mobile markets since March Throughout her career, Ms.

The viewer wears shutter glasses with liquid crystal shutters that block or transmit light in sync with the projectors, so each eye sees only the images meant for it.

Variations on IMAX included the 48 frames per second IMAX HD process, which sought to produce smoother, more lifelike motion, while also reducing the blurring of moving objects, by doubling the normal film rate.

Because 70mm film and projectors are costly and difficult to mass produce, and because the size of auditoriums that house full-size IMAX screens make them expensive to construct, IMAX debuted a digital projection system in to use with shorter 1.

The digital installations have caused some controversy, as many theaters have branded their screens as IMAX after merely retrofitting standard auditoriums with IMAX digital projectors.

Another disadvantage is the much lower resolution of digital IMAX. The technology has a maximum perceived resolution of 2.

The VR experience was intended for short but interactive videos. The expense and logistical challenges of producing and presenting IMAX films have led to approximately 40 minute shorter running times than conventional films.

Most are documentaries suited for institutional venues such as museums and science centers. A film about the Mars Exploration Rovers , titled Roving Mars , used exclusive data [ clarification needed ] from the rovers.

An early attempt at presenting mainstream entertainment in IMAX format was The Rolling Stones: Live at the Max , an minute compilation of concert footage filmed in IMAX during the rock band's Steel Wheels tour , edited to give the impression of a single concert.

In the s, more entertainment short films were created, notably T-Rex: Back to the Cretaceous in , and Haunted Castle in both in 3D.

In , Disney produced Fantasia , the first full-length animated feature initially released exclusively in the IMAX format.

Before the end of the s, theatrical features were deemed impossible to run in IMAX venues at the time, as there was a technical limitation on the size of the film reel where films had to run around two hours.

Their compilation CyberWorld was the result, which contained new original animation and IMAX-presented versions of computer animated tests and music videos.

Cyberworld even presented open-matte 3D versions of the bar sequence from Antz and the " Homer3 " segment from The Simpsons ; both coincidentally were animated at Pacific Data Images.

It was originally planned as a standard theatrical release, but in agreeing with the company to release the film, the IMAX sound system incorporated a multi-channel and multi-layer stereo system for the orchestrated soundtrack, similar to the Fantasound system Walt Disney had envisioned for the original film in The company agreed to Disney's terms and conditions to gain the exclusive first showings of the film.

Although Fantasia had a lukewarm financial run, the critical praise for its use of the IMAX format convinced Disney to put more releases in the giant-screen format in the pipeline.

New digital masters were created from the original CAPS production files and select scenes of animation were cleaned up to make use of the high resolution IMAX film negatives.

But all of these releases had underwhelming box office returns and Disney canceled later big-screen re-releases, including Aladdin.

Pictures especially embraced the format beginning in with the two Matrix sequels, Reloaded and Revolutions. Progressively other studios became further interested in releasing films in IMAX through the DMR process and have earned success through it.

In May , J. Both movies were filmed in high-resolution cameras and the digital negative ratio was equal to that of the IMAX Digital frame.

Skyfall increased the visual information of the entire film while Amazing Spider-Man optimized the finale battle with the Lizard.

The camera was used first to film select sequences in another Marvel production, 's Captain America: Civil War.

This special digital intermediate technology let IMAX venues show films shot on 35mm for conventional theaters.

Because of projection limitations at the time, the studios had to edit Apollo 13 and Attack of the Clones to have a shorter playing time.

As IMAX updated the system and expanded the size of the platters, the later DMR releases did not have this limitation; current platters provide a run time of up to minutes.

Reviewers have generally praised the results of the DMR blowup process, which are visually and audibly superior to the same films projected in 35mm.

After The Lion King in , no Hollywood studio engaged in re-releasing and restoring classic films through the IMAX DMR process until although ongoing conversion of new releases continued and continued to grow in number.

The film, before it underwent DMR, was already restored in a 4K digital intermediate with 7. Many recent features have employed IMAX cameras for select scenes, however, before no full-length feature film was shot entirely using IMAX cameras due to the numerous difficulties presented with the format — the cameras were much larger and heavier than standard cameras and the noise they produced made dialogue recording difficult.

According to the film's press notes, this was the "first time ever that a major feature film has been even partially shot using IMAX cameras".

Nolan said that he wished that it were possible to shoot the entire film in IMAX: "if you could take an IMAX camera to Mount Everest or outer space, you could use it in a feature movie.

Chairman and president of the IMAX Corporation Greg Foster stated that IMAX plans to run the film in its theaters for two months, despite only being contractually committed to run the film for two weeks in some theaters.

On July 9, , Bad Robot J. Adele 's music video " Hello ", released in , became the first music video that was partially filmed with IMAX cameras.

IMAX cameras were also used hand-held for the first time, as Nolan was advised by both Steven Spielberg and Ron Howard that it was the best way to shoot on vessels.

Dunkirk received the widest release on 70mm IMAX since his last film, Interstellar , with the film being released on the format in 37 theaters around the world.

These show space movies, including footage shot on missions and narrated by celebrities. Formerly largest screen in the world, closed for redevelopment until Current largest screen in the world.

From Wikipedia, the free encyclopedia. This article is about the IMAX motion picture film format.

For the car known as the Hyundai iMax in some markets, see Hyundai Starex. Large-screen film format. This article contains content that is written like an advertisement.

Please help improve it by removing promotional content and inappropriate external links , and by adding encyclopedic content written from a neutral point of view.

May Learn how and when to remove this template message. Further information: 3D film. Retrieved May 23, Retrieved February 23, Archived from the original on July 4, Retrieved July 3, Toronto Life.

Toronto Life Publishing Company Limited. Retrieved November 11, The Spokesmen-Review. September 30, Retrieved May 24, City of Spokane. Archived from the original on February 16, Retrieved June 1, October 1, PR Newswire.

Retrieved February 24, March 14, Retrieved February 29, Slash Film. December 2, Retrieved December 17, Gawker Media. Retrieved March 7, May Archived from the original on October 20, Archived from the original on August 25, Archived from the original on April 14, Retrieved April 13, Retrieved November 24, June 1, Retrieved April 26, Archived from the original PDF on December 29, Retrieved December 29, Cinema Technology.

Archived from the original PDF on March 10, The Los Angeles Times. IMAX Press release. April 1, Laser-Projection System".

Retrieved December 18, November 16, Archived from the original on April 15, Retrieved April 14, The Hollywood Reporter.

Retrieved April 25, Great Lakes Science Center. June 27, Archived from the original on September 22, Retrieved September 14, Archived from the original on October 16, Retrieved CS1 maint: archived copy as title link.

Retrieved December 2, Ottawa Citizen. Retrieved April 3, Encyclopedia of the Documentary Film. National Film Board of Canada.

Retrieved June 12, Retrieved March 29, LF Examiner, October 16, Retrieved from LFexaminer. The Boston Globe. Retrieved May 5, CBC News.

Retrieved May 18, Retrieved May 31, Retrieved December 21, June 18, Archived from the original on October 30, Retrieved November 7, Retrieved June 20, Toronto Sun.

Retrieved May 7, Retrieved April 29, Archived from the original on January 21, June 14, Retrieved January 23, The Wrap. November 12, Variety Media, LLC.

February 9, Retrieved April 16, April 15, Retrieved April 17, Giant Screen Cinema Association.

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