Ghost In The Shell 2 ВЂ“ Innocence Inhaltsverzeichnis
Ghost in the Shell 2 – Innocence (jap. イノセンス, Inosensu) ist ein im Jahr in Japan produzierter Anime vom Regisseur Mamoru Oshii und der Nachfolger. tereseengqvist.se - Kaufen Sie Ghost in the Shell 2 - Innocence günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. Ghost in the Shell 2 Innocence ENG DUB. JP MGA9. Loading Unsubscribe from JP MGA9? Cancel Unsubscribe. Working. Ghost in the Shell 2 Innocence () - Rotten Tomatoes been bettered вЂ“ Mamoru OshiiвЂ™s legendary anime film Ghost in the Shell returns in a stunning. The hotly-anticipated live action reimagining of Ghost in the Shell follows Scarlett Johansson as the RPF on Twitter: "Robot Geisha from Ghost in the Shell by Mae- The annual two-day festival will hold its fourth edition this April 25 & in Fort Worth's world LOVE this bondage/harness mixed with white/innocent.
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It gives a certain richness to cinema because the visual is not all there is. Thanks to Godard, the spectator can concoct his own interpretation.
Kenji Kawai 's technologic music greatly contributes to the film's futuristic atmosphere, and reinforces its link to Ghost in the Shell : for example, the opening theme echoes the ubiquitous "Making of a Cyborg" piece from the first movie.
Some others turn to more modern jazz fusion and romance like the song "Follow Me", which is used in the trailer and became popular among fans of the movie although with a significant lyrical re-write, the ending song "Follow Me" greatly resembles the song "En Aranjuez Con Tu Amor.
Mamoru Oshii's concept follows in the tradition of the romantic myth of the manufacture of a creature, which is at the same time human and artificial, such as Frankenstein 's monster or the Golem from Jewish Folklore.
There is a substantial amount of religious and philosophical musing on this general topic, which arguably gives it a more mystical tone than most cyberpunk.
Oshii said the film was first inspired by bleak thoughts of economic recession and violent crime. He imagines a world where humans have been replaced by their virtual selves.
To me, the birth and death of a human being is already a virtual event," the year-old director told a news conference at the Cannes Film Festival.
Innocence achieves a unique spatial atmosphere which is also worthy of mention. Panoramic views are enveloped in orange light and deep haze.
Sunlight seldom falls on Batou, who wanders in solitude at ground level, bathed in yellow light, red neon, and blue electric light, effects which enhance the movie's atmosphere of film noir beyond its obvious reference to Blade Runner.
Unlike with a filmed movie, the creators of an animated movie must envision and create all the detailed elements that make up a scene, and the movie comes to life.
Innocence approaches this challenge with some weird 3D scenes softly integrated to 2D characters; but it is said that "in some scenes there was intentional direction from Oshii to make 3D environment look unreal to describe ghost-hack and such complicated concepts.
I get absorbed in the finer points -- like what the back of a bottle label looks like when you see it through the glass [demonstrates with a bottle of mineral water].
That's very Japanese, I suppose. I want people to go back to the film again and again to pick up things they missed the first time.
The dog Gabriel, looking one more time like the only real being, makes a key appearance, like in many of Oshii's movies.
A scene of Batou feeding his dog is echoing Ash in Avalon and Mamoru Oshii in his real life, as the director himself admits: "Batou is a reflection of my own thoughts and feelings.
Innocence is a kind of autobiographical film in that way. He also explained the reason why all his films feature a basset hound —his faithful companion in real life.
The dog represents my body. Humans can be free only if they free themselves from their body. When I am playing around with my dog, I forget that I am a human being and it's only then that I feel free.
Even if some of the characters from Ghost in the Shell are present, Innocence goes far beyond the themes of electronic networks and human-machine technologies.
The usual downbeat story line of Oshii's movies could perhaps restrict the audience to technology and anime fans.
The strength behind Japanese animation is based in the designer's pencil. Even if he mixes 2D, 3D, and computer graphics, the foundation is still 2D.
Only doing 3D does not interest me. The animation features a motif of figurative deformation of scenery — especially the massive cathedral-like Locus Solus building in the Northern Territories Kurile Islands and the Chinese parade, which will stay as one of the most amazing scenes in recent memory.
Although the style is quite realistic and detailed, it mixes in startling distortions. A scene with Batou feeding his dog is echoed in Ash in Avalon He explained the reason why all his films feature a basset hound —his companion in real life: "This body you see before you is an empty shell.
The dog represents my body. Human beings can be free only if they free themselves from their bodies. When I am playing around with my dog, I forget that I am a human being, and it's only then that I feel free.
As for the state of art and animation , Oshii had this to say:. I think that Hollywood is relying more and more on 3D imaging like that of Shrek.
The strength behind Japanese animation is based in the designer's pencil. Even if he mixes 2D , 3D, and computer graphics, the foundation is still 2D.
Only doing 3D does not interest me. On the overall message of the film, the director said "This movie In this day and age when everything is uncertain, we should all think about what to value in life and how to coexist with others.
I also had more time to prepare it. Yet despite the economic leeway, abundant details and orientations, it was still important to tell an intimate story.
In order to better market the film outside Japan, the Ghost in the Shell 2 moniker was added to the title of the film, with Innocence becoming the subtitle.
Some fans saw this as conflicting with Oshii's statements that the film wasn't, in actuality, a standard Hollywood-esque sequel, and was able to, and intended to, stand on its own.
When Go Fish Pictures released Innocence, they released it subtitled, without English dubbing, a controversial choice since every Ghost in the Shell anime released by Manga Entertainment outside of Japan had been dubbed.
The soundtrack was composed by Kenji Kawai , who also did Ghost in the Shell soundtrack. The music box, heard in the "Doll House" tracks, was procured from Sankyo Shoji.
Wanting it to sound as if played in a huge space, Kenji Kawai had the music box recorded in studio, and then played back in the underground quarry of Ohya with four speakers and two subwoofers , where it was recorded with eight microphones.
The minyoh singers chorus, heard in the "Chants" in the first movie, and in the "Ballade of Puppets" in Innocence , was expanded to include 75 performers, which proved challenging to record.
The session lasted for 14 straight hours. The movie was praised by Manohla Dargis of the New York Times , who wrote " Innocence doesn't just reveal a wealth of visual enchantments; it restates the case that there can and should be more to feature-length animations than cheap jokes, pathos and pandering.
The critics consensus states: "The animation is lovely, but the plot is complex to the point of inscrutability, leaving Ghost in the Shell 2: Innocence both original and numbing.
It is cited to be overly heavy on philosophical dialogue and thus hard to follow,  and its ending has been described as weak and unmeaningful in the arc of character development.
In addition to reading dialogue, audiences saw cues like "Footsteps Manga Entertainment , which released and co-produced the first film and collaborated with Bandai Entertainment to release the TV series, released Innocence with an English dub featuring the same cast as the one used in Ghost in the Shell: Stand Alone Complex in the UK on February 27, The UK English dub on the Region 1 Blu-ray disc features an audio error where the soundtrack has been pitch shifted down, resulting in unnatural sounding deep voices, and mechanical sound effects in slow motion.
This is also present on the standard DVD. The controversy with licensing also affected its release in Australia. The licensing costs are extremely high due to two different licenses being in effect on the DVD release.
The combo pack features the Japanese version and includes the official English audio track and subtitles, along with the special features.
From Wikipedia, the free encyclopedia. Not to be confused with Ghost in the Shell 2. For the manga, see Ghost in the Shell manga.
Production I. Kenji Kawai. Retrieved 28 May Box Office Mojo. Retrieved 2 December Director's Commentary.
October Retrieved August 2, Retrieved Anime News Network. Retrieved 25 April Tokuma Shoten. Archived from the original on About us.
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